Behind the Craft by Peter Yang

Behind the Craft by Peter Yang

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Behind the Craft by Peter Yang
Behind the Craft by Peter Yang
Lessons about the Creator Economy from Twitch and Substack
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Creator Track

Lessons about the Creator Economy from Twitch and Substack

Read this if you want to understand creator businesses

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Peter Yang
Nov 18, 2020
∙ Paid
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Behind the Craft by Peter Yang
Behind the Craft by Peter Yang
Lessons about the Creator Economy from Twitch and Substack
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Level up your product and creator skills in just 5 min a week. Join 50,000 readers:


Dear subscribers,

I worked on creator growth at Twitch and now write this newsletter on Substack. Live streaming and publishing might seem like two different fields, but I see many parallels between the creator economies on both platforms.

Below are eight observations.


1. Consistency is the key to growth

On Twitch, creators grow by streaming consistently, which means broadcasting for many hours a day, 6 or 7 days a week. If they take time off, they’ll lose paid subscribers:

Twitter avatar for @Ninja
Ninja @Ninja
Wanna know the struggles of streaming over other jobs? I left for less than 48 hours and lost 40,000 subscribers on twitch. I’ll be back today (Wednesday) grinding again.
12:09 PM ∙ Jun 13, 2018
66,535Likes3,775Retweets

On Substack, most paid newsletter writers also publish several times a week. It's a good thing that streamers and writers love what they're doing because there's no escape from the grind.


2. The 80:20 rule applies to both creators and fans

On Twitch and Substack, top creators have thousands of fans and make hundreds of thousands every month. But the vast majority of creators stream to an empty room or write for a few readers. It’s very hard for creators without an existing audience elsewhere (e.g., on Twitter) to grow organically on the platform.

Twitter avatar for @gregisenberg
GREG ISENBERG @gregisenberg
The unspoken truth about "the creator economy” Most creators don’t make any money at all (and want to) - 43k Spotify artists are pulling in 90% of the royalties - The average non-“top tier” Spotify artist earns $144/year - The top 1% of OnlyFans accounts make 33% of all the $$
1:56 AM ∙ Nov 13, 2020
605Likes60Retweets

The 80:20 rule applies to fans well. On both platforms, only a fraction of viewers and readers pay to subscribe to creators. Some of these paid subscribers are true fans who will even gift subscriptions to other viewers and readers to bring them into the creator’s community. Gift subscriptions was one of the most successful product launches at Twitch, but I'm not sure how successful it has been for Substack.

I think this is because…


3. The community is just as important as the content

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